焦大衛 (David K. Jordan) 美國芝加哥大學人類學博士、聖地亞哥加州大學人類學系榮休教授。主要研究範圍包括文化與心理人類學、社會語言學、跨文化宗教研究，尤其是台灣地區的中國民間宗教教派。 歐大年 (Daniel L. Overmyer) 加拿大英屬哥倫比亞大學亞洲研究學系中國研究中心榮休教授。1996至1998年任香港中文大學宗教系講座教授，1997至1998年為該系系主任。主要研究範圍包括中國佛教、民間宗教、明清民間宗教經卷。

焦大衛 (David K. Jordan) 美國芝加哥大學人類學博士、聖地亞哥加州大學人類學系榮休教授。主要研究範圍包括文化與心理人類學、社會語言學、跨文化宗教研究，尤其是台灣地區的中國民間宗教教派。 歐大年 (Daniel L. Overmyer) 加拿大英屬哥倫比亞大學亞洲研究學系中國研究中心榮休教授。1996至1998年任香港中文大學宗教系講座教授，1997至1998年為該系系主任。主要研究範圍包括中國佛教、民間宗教、明清民間宗教經卷。

焦大衛 (David K. Jordan) 美國芝加哥大學人類學博士、聖地亞哥加州大學人類學系榮休教授。主要研究範圍包括文化與心理人類學、社會語言學、跨文化宗教研究，尤其是台灣地區的中國民間宗教教派。 歐大年 (Daniel L. Overmyer) 加拿大英屬哥倫比亞大學亞洲研究學系中國研究中心榮休教授。1996至1998年任香港中文大學宗教系講座教授，1997至1998年為該系系主任。主要研究範圍包括中國佛教、民間宗教、明清民間宗教經卷。

焦大衛 (David K. Jordan) 美國芝加哥大學人類學博士、聖地亞哥加州大學人類學系榮休教授。主要研究範圍包括文化與心理人類學、社會語言學、跨文化宗教研究，尤其是台灣地區的中國民間宗教教派。 歐大年 (Daniel L. Overmyer) 加拿大英屬哥倫比亞大學亞洲研究學系中國研究中心榮休教授。1996至1998年任香港中文大學宗教系講座教授，1997至1998年為該系系主任。主要研究範圍包括中國佛教、民間宗教、明清民間宗教經卷。

In this series of lectures on the painters Hsia Kuei (twelfth-thirteenth centuries), Shen Chou (fifteenth-sixteenth centuries), and Shih-t'ao (seventeenth-eighteenth centuries), Richard Edwards explores the special relationship between the self and landscape in Chinese art. These three painters, each important in his own time and deemed a master by later critics, were all conce...(展开全部)

In this series of lectures on the painters Hsia Kuei (twelfth-thirteenth centuries), Shen Chou (fifteenth-sixteenth centuries), and Shih-t'ao (seventeenth-eighteenth centuries), Richard Edwards explores the special relationship between the self and landscape in Chinese art. These three painters, each important in his own time and deemed a master by later critics, were all conce...(展开全部)

Collection of literary lectures by E.M. Forster, published in 1927. For the purposes of his study, Forster defines the novel as "any fictitious prose work over 50,000 words." Forester's wit and lively, informed originality have made this study of the novel a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," Forster freely examines elements that ...(展开全部)

Forster's lively, informed originality and wit have made this book a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," he freely examines aspects all English-language novels have in common: story, people, plot, fantasy, prophecy, pattern, and rhythm. Index.

Collection of literary lectures by E.M. Forster, published in 1927. For the purposes of his study, Forster defines the novel as "any fictitious prose work over 50,000 words." Forester's wit and lively, informed originality have made this study of the novel a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," Forster freely examines elements that ...(展开全部)

Forster's lively, informed originality and wit have made this book a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," he freely examines aspects all English-language novels have in common: story, people, plot, fantasy, prophecy, pattern, and rhythm. Index.